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After an accident involving school children, entry to the Qutub Minar is closed to public since 1981, while Qutub archaeological area remains open for public. Hello Kisserking6, Can i know why are you for giving any replies. This app is available on both the platform android and iPhone.\
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Excavations of pre-Islamic ruins near Anang Tal. The Qutb complex is a collection of monuments and buildings from the at in in India, which were built on the ruins of , which consisted of 27 Hindu and Jain temples and 's city, whom 's Afghan armies had earlier defeated and killed in the. The in the complex, named after , was built by , who later became the first of the. The was added upon by his successor a. The Qubbat-ul-Islam Mosque Dome of Islam , later corrupted into Quwwat-ul Islam, stands next to the Qutb Minar. Many subsequent rulers, including the , and the added structures to the complex. Apart from the and the Quwwat ul-Islam Mosque, other structures in the complex include the Alai Gate, the Alai Minar, the , the ruins of several earlier Jain temples, and the tombs of , and Imam Zamin. Today, the adjoining area spread over with a host of old monuments, including , has been developed by the ASI as the , and has restored some 40 monuments in the Park. It is also the venue of the annual '', held in November—December, where artists, musicians and dancers perform over three days. The Qutb Minar complex, which drew 3. Close up of the inscriptions on entrance arch, Alai Darwaza built by The Alai Darwaza is the main from southern side of the Quwwat-ul-Islam Mosque. It was built by the second , in 1311 AD, who also added a court to the pillared to the eastern side. The gateway is decorated with red and inlaid white marble decorations, inscriptions in , latticed stone screens and showcases the remarkable craftsmanship of the Turkish artisans who worked on it. This is the first building in India to employ principles in its construction and ornamentation. The did not employ true styles and used false domes and false arches. This makes the Alai Darwaza, the earliest example of first true arches and true domes in India. It is considered to be one of the most important buildings built in the period. With its pointed arches and spearhead of fringes, identified as lotus buds, it adds grace to the Quwwat-ul-Islam mosque to which it served as an entrance. Main article: The is the tallest brick in the world, inspired by the in Afghanistan, it is an important example of early architecture, which later evolved into. The Qutb Minar is 72. It is listed as a along with surrounding buildings and monuments. Built as a Victory Tower, to celebrate the victory of over the king, , in 1192 AD, by his then viceroy, , later the first Sultan of. Its construction also marked the beginning of. Aibak however, could only build the first storey, for this reason the lower storey is replete with eulogies to. The next three floors were added by his son-in-law and successor,. The minar was first struck by lightning in 1368 AD, which knocked off its top storey, after that it was replaced by the existing two floors by , a later 1351 to 1388, and faced with white marble and sandstone enhancing the distinctive look of the minar, as seen in lower three storeys. Thus the structure displays a marked variation in architectural styles from to that of. The inside has intricate carvings of the verses from the Quran. The made with numerous superimposed and cylindrical shafts in the interior, and on the exterior, which have a 40 cm thick of red and buff coloured sandstone; all surrounded by bands of intricate carving in style of , giving the minar the appearance of bundled reeds. It stands just outside the Quwwatul mosque, and an Arabic inscription suggests that it might have been built to serve as a place for the , to call the faithfuls for. Also marking a progression in era, is the appearance of inscriptions in a bold and cursive script of calligraphy on the Qutb Minar, distinguished by strokes that thicken on the top, as compared to Kufic in earlier part of the construction. Inscriptions also indicate further repairs by Sultan in 1503, when it was struck by lightning once again. In 1802, the on the top was thrown down and the whole pillar was damaged by an earthquake. It was repaired by Major R. Smith of the who restored the Qutub Minar in 1823 replacing the with a Bengali-style which was later removed by , in 1848, as it looked out of place, and now stands in the outer lawns of the complex, popularly known as Smith's. After an accident involving school children, entry to the Qutub Minar is closed to public since 1981, while Qutub archaeological area remains open for public. In 2004, Seismic monitors were installed on the minar, which revealed in 2005 Delhi earthquake, no damage or substantial record of shakes. The reason for this has been cited as the use of and which absorbs the tremors; it is also built on rocky soil, which further protects it during earthquakes. Quwwat-ul-Islam or Might of Islam mosque started in 1193 CE by Qutb-ud-din-Aibak to mark his victory over Rajputs Quwwat-ul-Islam mosque : قوة الإسلام Might of Islam also known as the Qutub Mosque or the Great Mosque of Delhi was built by , founder of the or. It was the first mosque built in Delhi after the Islamic conquest of India and the oldest surviving example of architecture in. The construction of this Jami Masjid Friday Mosque , started in the year 1193 AD, when Aibak was the commander of 's that occupied Delhi. To leave the imprint of his religion to the new territory, Aikab decided to erect a mosque epitomising the might of Islam and chose his site, the heart of the captured Rajput citadel of. The was built simultaneously with the mosque but appears to be a stand-alone structure, built as the ' of Jami Masjid', for the to perform , call for prayer, and also as a , an Axis or Pole of. It is reminiscent in style and design of the or Ajmer mosque at , Rajasthan, also built by Aibak during the same time, also constructed by demolishing earlier temples and a Sanskrit school, at the site. Intricate stone carvings on the columns at Quwwat ul-Islam Mosque, Qutb complex, Delhi — Resembles Hindu Temple Pillars — Pillars taken from Hindu temples. Of the site selected by Aikab for the construction of a mosque, , the 14th century Arab traveller, says, before the taking of Delhi it had been a , which the Hindus called elbut-khana, but after that event it was used as a mosque'. According to a inscription still on the inner eastern gateway, the mosque was built by the parts taken by destruction of twenty-seven Hindu and during the reigns of the and Prithviraj Chauhan, and leaving certain parts of the temple outside the mosque proper. Historical records compiled by Muslim historian Maulana Hakim Saiyid Abdul Hai attest to the iconoclasm of Qutb-ud-din Aibak. This pattern of iconoclasm was common during his reign. Some medieval Muslim historians and travellers often ascribed the construction of the complex to Sultan , rather than to Qutb ud-Din Aibak as is commonly accepted. Ibn Batuta also states that near the eastern gate of the mosque were two very big idols of copper connected together by stones. Every one who left the mosque treaded over them. The mosque is one of the earliest extant mosques in India. The original dimensions of the mosque had a courtyard measuring 43 m 141 ft by 33 m 108 ft. The prayer hall, located on the west measures 45 m 148 ft by 12 m 39 ft. The mosque has grey colonnades made of greystone with three bays in east and two bays deep on the north and the south. Extensions were made to the mosque during 1296 when its dimensions in north and south were extended by 35 m 115 ft. The famous iron pillar is located on the stone pavement in front of it, while is located west of the main entrance. The central arch of the mosque is ogee in shape and is 6. The side arches are smaller in size. The screen is sculpted with religious texts and floral patterns. Desai believes that the mosque was not constructed in scientific style but in Corbel style as indicated by the variations in the pattern of the arches. The mosque is built on a raised and paved courtyard, measuring 141 ft 43 m. X 105 ft 32 m , surrounded by pillared added by Iltutmish between 1210 and 1220 AD. The stone screen between prayer hall and the courtyard, stood 16 mt at its highest was added in 1196 AD, the corbelled arches had Arabic inscriptions and motifs. Entrances to the courtyard, also uses ornate dome from temples, whose pillars are used extensively throughout the edifice, and in the sanctuary beyond the tall arched screens. What survives today of the sanctuary on the western side are the arched screens in between, which once led to a series of aisles with low-domed ceilings for worshippers. Expansion of the mosque continued after the death of Qutb. Qutbuddin's successor , extended the original prayer hall screen by three more arches. By the time of Iltutmish, the Mamluk empire had stabilised enough that the Sultan could replace most of his conscripted Hindu masons with Muslims. This explains why the arches added under Iltutmish are stylistically more Islamic than the ones erected under Qutb's rule, also because the material used wasn't from demolished temples. Some additions to the mosque were also done by , including the Alai Darwaza, the formal entrance to the mosque in red sandstone and white marble, and a court to the east of the mosque in 1300 AD. To the west of the Quwwat ul-Islam mosque is the tomb of which was built by the monarch in 1235. The estimated weight of the decorative bell of the pillar is 646 kg while the main body weighs 5,865 kg, thus making the entire pillar weigh 6,511 kg. The pillar bears an inscription in in dating 4th century AD, which indicates that the pillar was set up as a Vishnudhvaja, standard of god, on the hill known as Vishnupada in memory of a mighty king named Chandra, believed to Chandragupta II. A deep socket on the top of this ornate capital suggests that probably an image of was fixed into it, as common in such flagpoles. Tomb of Iltutmish Tomb of Iltutmish The tomb of the ruler, , a second r. The central chamber is a 9 mt. The main cenotaph, in white marble, is placed on a raised platform in the centre of the chamber. The facade is known for its ornate carving, both at the entrance and the interior walls. The interior west wall has a prayer niche decorated with marble, and a rich amalgamation of Hindu motives into Islamic architecture, such as bell-and-chain, tassel, lotus, diamond emblems. In 1914, during excavations by Archaeological Survey of India's ASI , the grave chamber was discovered. From the north of the tomb 20 steps lead down to the actual burial vault. Khalji was the second from , who ruled from 1296 to 1316 AD. The central room of the building, which has his tomb, has now lost its dome, though many rooms of the seminary or college are intact, and since been restored. There were two small chambers connected to the tomb by passages on either side. Fergusson in his book suggested the existence, to the west of the tomb, of seven rooms, two of which had domes and windows. The remains of the tomb building suggest that there was an open courtyard on the south and west sides of the tomb building, and that one room in the north served as an entrance. It was the first example in India, of a tomb standing alongside a madrasa. Nearby stands the Alai Minar, an ambitious tower, he started constructing to rival the , though he died when only its first storey was built and its construction abandoned thereafter. It now stands, north of the mosque. The tomb is in a very dilapidated condition. It is believed that Ala-ud-din's body was brought to the complex from Siri and buried in front of the mosque, which formed part of the madrasa adjoining the tomb. Alai Minar Alauddin Khalji started building the Alai Minar, after he had doubled the size of Quwwat ul-Islam mosque. He conceived this tower to be two times higher than in proportion with the enlarged mosque. The construction was however abandoned, just after the completion of the 24. The first storey of the Alai Minar, a giant core, still stands today, which was evidently intended to be covered with dressed stone later on. Noted Sufi poet and saint of his times, in his work, Tarikh-i-Alai, mentions Ala-ud-din's intentions to extend the mosque and also constructing another minar. A short distance west of the enclosure, in Mehrauli village, is the of who, according to legend drove the beautiful Hindu singer to suicide following the capture of in Madhya Pradesh. When Akbar became displeased with him he ended up being heaved off a terrace in the. Several archaeological monuments dot the Mehrauli Archaeological Park, including the , Jamali Kamali mosque and tomb. There are some summer palaces in the area: the Zafar Mahal, the Jahaz Mahal next to Hauz-i-Shamsi lake, and the tombs of the later Mughal kings of Delhi, inside a royal enclosure near the shrine of Sufi saint,. Here an empty space between two of the tombs, sargah, was intended for the , who died in exile in Rangoon, Burma, in 1862, following his implication in the. Also standing nearby is the Moti Masjid mosque in white marble. The ruins of the alai minar are currently in the qutb complex. History of architecture and ancient building materials in India. Archives of Asian Art. Retrieved 26 May 2009. Retrieved 26 May 2009. Retrieved 14 August 2009. Retrieved 13 August 2009. Retrieved on 5 August 2015. Retrieved on 5 August 2015. History of Sultanate architecture. Heritage conservation: preservation and restoration of monuments. Published by Eicher Goodearth Limited, 1998. Retrieved 14 August 2009. Retrieved 14 August 2009. Retrieved 14 August 2009. Dani, History of Civilizations of Central Asia, Vol. Clifford Edmund Bosworth, M. Asimov, Motilal Banarsidass, 2000 , 564. A History of Muslim Philosophy: With Short Accounts of Other Disciplines and the Modern Renaissance in Muslim Lands. Archaeological Survey of India. Islamic culture, Volume 49. Retrieved 18 May 2015. Mosques of India 5th ed. New Delhi: The Director of Publication Division, Ministry of Information and Broadcasting, Government of India. Retrieved on 5 August 2015. Retrieved on 5 August 2015. Retrieved 14 August 2009. Retrieved on 5 August 2015. History of Indian and Eastern Architecture, 2nd Edition 1910. Retrieved on 5 August 2015. London : Published by the Arundel Society for Promoting the Knowledge of Art. Office of the Superintendent of Government Printing.
